My all hand-sewn quilts are rarely about anything specific on an individual basis despite using various fabrics from periods in my life. In BULLSEYE I've used my own waitress apron strings, an RC Cola vendors apron, a silver prom dress my grandmother made for my Aunt, ripped cotton fabric I found inside an old quilt, a Rubics Cube t-shirt I wore as a child, etc. BULLSEYE is about focus and the power of work. The empty space is modeled after the Rauschenberg painting "Winter Pool." By default, my quilts often address the unequal judgement of women's craft and "higher" arts. BULLSEYE, like all my quilts, is about general associations to memory, connections through time and space, evidence of physical existence, and the wordless feelings. I think about composition, darks and lights. It's about the visual puzzle of beauty and balance. It is an exercise in manipulating and an homage to the mystifying (at least to me) miracle, of sorts, that is sight and touch.