My work explores the loss of women's identity and individuality referencing erasure, power, and domestic labor. My mixed media series, Fed Up, was inspired by observing the conservative Southern women in my family serve others to the point of exhaustion. After a loved one, who was a homemaker, was subjected to a tragic and mysterious case of neglect I turned to look for physical, societal, and psychological evidence. As a former high school art teacher, I unearthed a series of scrapbooks when cleaning out a home economics classroom. These scrapbooks ranged from 1956 to 1967 depicting a local chapter of The Future Homemakers of America. I began to use images of "future homemakers" suppressing their sensory organs as a means of expressing subjugation. I am further interested in women's complex relationship with food consumption and preparation and how this relates to self-worth and body image. This piece investigates the absurdity of gender roles that should be extinct.