Comet 67P draws from early astronomical photographic attempts at rendering unattainable objects in the sky. The quest to see these objects became a popular obsession after images depicting the moon were published with a series of articles from 1835, before the invention of photography. These images, despite their reliance upon models for representation, played upon the belief that photographs have an undeniable authenticity. All of this series were realized through the creation of sculptures that were photographed. Referencing lunar models, and Apollo era images, this body of work bridges a gap between historic and modern modes of scientific representation while re-contextualizing them into a contemporary vernacular. These contextualize photography's ability to render convincing, yet misleading scientific imagery. In their presentation, the images encourage the viewer to take a closer look at science, the imagery that represents it, and how it impacts popular understanding.