Traditionally viewed as ‘women's work’, I use the techniques of quilting and weaving. With quilting, I use found quilts of unknown provenance. I combine this anonymous labor with that of the women posing in these vintage images who also remain anonymous. With weaving, I repurpose images that were intended for the male gaze to create unorthodox handwoven collages. In each series, I create jarring juxtapositions when considering the shared role of gendered labor in both the historic context for these techniques and the imagery I am sourcing. My body of work is my ode to the Black women in porn who are resisting the system that disparages their worth, and a callback to the traditional structure of women's work.