"Dirt, The Body and the Blood" examines the interplay between individual actions and societal forces, focusing on the laborer's body as a site of both endurance and abjection. The work symbolizes the tension between personal identity and collective harm. By using repetition and physically demanding processes, the labor of making is presented as both a means of self-harm and a form of catharsis. This exploration highlights the dehumanization of laborers and the toll this means of survival takes on the body and psyche. The artwork creates a dialogue between the physical processes of making and the conceptual narratives of time, decay, and labor, pushing viewers to confront the often-invisible ways society imposes harm upon individuals. Ultimately, this body of work reveals the vulnerability, resistance, and survival inherent in these repetitive acts; challenging preconceived notions of identity, value, and the body's relationship to labor.