By invoking the title "Evidence of Erasure," my latest painting takes on a dual connotation, echoing the dangers of banning books as well as the perils faced by an open society that restricts access to ideas. Each brushstroke becomes a testament to the critical importance of preserving intellectual freedom and fostering a culture of open dialogue and inclusivity. Drawing from the influences of Josef Albers, Hans Hofmann, and William Harnett, my work navigates the intersection between naturalism and abstraction. Through nuanced explorations of form and color, I seek to underscore how the saturation of information can obscure deeper truths and stifle the pursuit of Wisdom. "Evidence of Erasure" prompts contemplation on the far-reaching impact of censorship, urging viewers to advocate for the preservation of intellectual freedom and open discourse as well as serving as a reminder of the critical role of intellectual freedom in nurturing an informed and civil society.