This work was created as part of an ongoing series. The imagery of a corroding, unreadable sign is endemic in the region where I live and along the routes that I travel. While I do not discount the nostalgia many viewers feel when viewing these works, for me, there are also layers of personal and political meaning, including the increasing degradation of interpersonal communication and late capitalism, as well as a celebration of the entropy of natural systems. This particular work is simultaneously a drawing, painting, and a photograph. Cyanotype solution was applied like watercolor in multiple layers, and dozens of exposures were used to build up the values and textures to construct the image.