The works I create are direct results of investigations into theoretical studies, constructs, and ideas. What I do as an artist is look at things from diverse, and often divergent, perspectives; developing/supporting/opposing theories that aid in the creation of the thing seen. Turning classical into contemporary through modern digitized techniques, I take, for example, the 600 years old technique of one-point linear perspective or the centuries old geometric symbol of the mandala and flip them on their heads by incorporating laser cut cast acrylic; creating forms that oscillate between two-dimensional and three-dimensional, both visually and physically. In bridging the gap between analog (old) and digital (new), I explore binary couplings and the paradigmatic relations between the two elements: light and shadow, translucency and opacity, intensity and apathy.