How do we determine objects as useful, useless, ordered, or disordered? These terms are elusive and subject to change through our perception and point of comparison. They can never be entirely true or false; they exist somewhere between. Through installation, sculpture, and mixed-media drawing, my work embodies notions of order and disorder with manufactured construction materials, to challenge their conventional context, setting, and utility. My manipulations and processes create dramatic physical shifts to imply the objects could never revert to the original manufactured state, but simply continue to change. I encourage viewers to engage with these manufactured materials, visually and physically, in new and unexpected ways by highlighting formal qualities and placing them outside of their traditional context. Through this practice, I encourage breaking down preconceived notions and definitions to encourage curiosity and embrace uncertainty in our everyday lives.