"Global Majority" honors peoples of African, Asian, Indigenous, Latin American, and mixed-heritage descents, who make up about 85% of the world's population. The work symbolizes the "blackening of the world" and the idea that humanity originated in Africa. A young boy holds a globe centered on Africa, showing our shared connection to the global majority. He is surrounded by darkness, representing the space from which all life emerged, and the threshold between what once existed and what is now present. The piece references the Kongo tradition of the "four moments of the sun," the cycle of conception, birth, maturity, and death. All things-planets, plants, animals, people, societies, and ideas-move through these stages. This cycle is shown by a circle with a cross, the cosmogram or dikenga. Its center marks the powerful present moment where we stand. The cycle repeats, symbolizing rebirth and our ongoing connection to ancestors who live within us.