Antique quilt remnants crafted by unknown makers in various states of ruinate decay, with threadbare fabrics shredding at the seams and spilling their pilled cotton stuffing. Fractions and fragments of their former embodiments, the faded and stained cloth intimates an archival antiquity. In a gesture that is at once a calculated attempt at erasure and a willful resistance to such a process, the quilts are repeatedly dyed over with indigo in an act of accumulation upon the object’s surface. Multiple immersions into the dye vat transform the calico patchworks into a field of activated blue surface. What remains of the original object are the colored fabrics darker than the blue dye, and the texture of the quilts’ surface that reveal the almost topographical lines of piecing and stitching leading nowhere demarking an aquatic space that charts a non-place marked by an archipelago of rips, tears, and fissures between and among the quilts. The quilt fragments are entangled, or “interlinked,” but remain “isolated” in a variable constellation “unfolding not only in space but also in time.” Despite the fractured quilt remnants being pieced together into a larger cartography, they exist as such only temporarily; pieced together loosely with pins, the whole rests in a solid but transient state, never permanently fixed, with “an unfinished relation to history.”