One of the easiest ways to discredit a woman is to call her virtue into question. From Bathsheba to modern day Monica Lewinsky and Rebecca Loos, the pattern of slut shaming persists. With its title and layout influenced by Ellsworth Kelly, this multi-panel work is composed of women's pants. Some panels were initially planned to mimic his color scheme, but when gessoed for color application, they were stronger in white. After all, modesty is derived from the latin term modestus, meaning restraint. Restraining color in this instance helps convey the societal notion of modesty. Each panel depicts a literary character whose virtues have been questioned. In viewing the panels, the intent is to highlight the subjectivity of such judgments concerning manner of dress. Panel number 19, Judy Blume's ìLaura Danker,î is a self portrait based on a slut shaming experience the artist had in seventh grade. It was the day she first heard the term "hot pantsî and learned the definition of slut.